This work traces an evolving investigation into identity, not as a fixed condition, but as a system shaped by representation, language, and regimes of visibility.
Beginning with fragmentation and stereotype, the practice gradually moved toward examining the structures that produce and regulate meaning.
Constructed Identity investigates the face as a contested surface, one that absorbs, resists, and reflects systems of classification. Through screen-printed self-images layered over book pages, erased text, cut canvases, and performative extensions, these works examine how visibility becomes a constraint and an agency.
Flesh and Blood, 2025
Screenprint on book cover, shadow box
12 × 16 in.
Systems of Control centers on the book as a structure of authority, an object that preserves, disciplines, and transmits ideology. Burned, stitched, sealed, or reassembled, the book becomes a material metaphor for how narratives are imposed and contested. Language appears as residue, restriction, and resistance.
Ashes of Dogma, 2024
Dimensiones variables
Upcycled books, candles, horsehair, electrical cables, nails, and fire intervention.
Prop used in the video performance Reflections of the Impossible.
This early body of work examined how identity is projected, stereotyped, and fragmented through cultural expectation and gender constructs. Using repetition, hybrid symbolism, and gestural abstraction, the works challenged fixed notions of masculinity and representation, laying the conceptual foundation for later inves
The Mother, 2019
Lino-cut matrix stapled to a wood panel
16 W x 16 H x 1.5 D in
The investigation continues.
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